Now Cannie's back. After her debut novel -- a fictionalized (and highly sexualized) version of her life -- became an overnight bestseller, she dropped out of the public eye and turned to writing science fiction under a pseudonym. She's happily married to the tall, charming diet doctor Peter Krushelevansky and has settled into a life that she finds wonderfully predictable -- knitting in the front row of her daughter Joy's drama rehearsals, volunteering at the library, and taking over-forty yoga classes with her best friend Samantha.
As preparations for Joy's bat mitzvah begin, everything seems right in Cannie's world. Then Joy discovers the novel Cannie wrote years before and suddenly finds herself faced with what she thinks is the truth about her own conception -- the story her mother hid from her all her life. When Peter surprises his wife by saying he wants to have a baby, the family is forced to reconsider its history, its future, and what it means to be truly happy.'
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When a fellow mother is murdered, Kate finds that the unsolved mystery is the most exciting thing to happen in Upchurch, Connecticut, since her neighbors broke ground for a guesthouse and cracked their septic tank. Even though the local police chief warns her that crime-fighting's a job best left to the professionals, Kate launches an unofficial investigation -- from 8:45 to 11:30 on Mondays, Wednesdays, and Fridays, when her kids are in nursery school.
As Kate is drawn deeper into the murdered woman's past, she begins to uncover the secrets and lies behind Upchurch's picket-fence facade -- and considers the choices and compromises all modern women make as they navigate between marriage and independence, small towns and big cities, being a mother and having a life of one's own.'
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Becky is a plump, sexy chef who has a wonderfull husband and baby girl, a restaurant that received a citywide acclaim -- and the mother-in-law from hell. Kelly is an event planner who's struggling to balance her work and motherhood while dealing with unemployed husband who seems content to channel-surf for eight hours a day. Ayinde's basketball superstar husband breaks her trust at her most vulnerable moment, putting their new family even more in the public eye. Then, there's Lia, a Philadelphia native who has left her Hollywood career behind, along with her husband, and a tragic secret to start her life all over again.
From prenatal yoga to postbirth sex, Little Earthquakes is a frank, funny, fiercely perceptive take on the comedies and tragedies of love and marriage.'
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We meet Marlie Davidow, home alone with her new baby late one night, when she wanders onto her ex's online wedding registry and wonders what if she had wound up with the guy not taken. We find Jessica Norton listing her beloved river-view apartment in the hope of winning her broker's heart. And we follow an unlikely friendship between two very different new mothers, and the choices that bring them together -- and pull them apart.
The Guy Not Taken demonstrates Weiner's amazing ability to create characters who "feel like they could be your best friend" (Janet Maslin) and to find hope and humor, longing and love in the hidden corners of our common experiences.'
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